Video produced by Time To Get Social

It’s funny how technological and new media advances are exponential, audience acceptance of the same a bit less so, and the embrace of it all on the part of media professionals at a dark ages pace. We all see it coming, the warning signs have turned tangible in Web 2.0 and yet, movement on the new media / supplier side always seems to be the tardy party. It takes a loud, credible voice and not the bravery of the innocents to call us out and point out that the media Emperors are naked. Yesterday at NATPE, Michael Eisner, stepped up, called it like it most assuredly is, and told us how old media is not only indecently exposed, but on “a death march”.

Eisner tells us that made-for-the-web content is the now and the future.  Unveiling his latest web series, “The Booth“, the former Disney boss, described how the modern audience and the new finance and distribution realities mean that premiere digital content will be the way producers and audience go forward.  At its core, Eisner is telling us what we all already know, but that the financial and distribution sectors are still too afraid to accept. The audience is in charge.

All content and distribution must be crafted on their terms. Those terms demand that we give them content that is personal, relevant, authentic, and is available to them on ALL platforms (format customized for each platform and experience) on demand in the 360 Transmedia Universe where the modern audience lives. As Eisner pointed out, for millions, the web, mobile and other platforms are where they consume content. As we have said here many times before, Eisner echoed that, in a single generation, the TV- bound, passive, “lean back” audience will be a thing of the past.

He’s not just talking about how it will turn out, rather, judging from his content offerings, he shows that he knows what the audience will want—content that is consumable in one big meal, small cumulative snacks, or anything in between. And in a hint to the future, even beyond the platform agnostic universe that is just around the corner, he boldly reduces broadcast television to a second run repository (I don’t completely agree—”events” will still engender mass, quasi-communal consumption). So, reruns of our digital shows might just be the savior for the 10pm slot? Damn, Michael, you could have saved NBC a bit of angst had you spoken up sooner!

In Episode 5 we find out why it’s so important to have all the elements of the conversation in place in order to encourage audience participation and build a loyal following.  This week we take a closer look at crafting an authentic message.  You don’t always have to be good, but you do have to be interesting and there’s usually nothing more interesting than a little authenticity in your story.  In this week’s episode, we tell you why an authentic message is so critical during this paradigm shift and beyond.

Episode 6 features: Suzanne Diamond and Zach Jordan

]]> http://www.joedigitalblog.com/targeted-distribution/episode-6-social-media-hold-the-bs/feed 1 http://www.joedigitalblog.com/targeted-distribution/episode-5-the-conversation-equation http://www.joedigitalblog.com/targeted-distribution/episode-5-the-conversation-equation#comments Wed, 09 Dec 2009 17:18:59 +0000 Zach Jordan http://www.joedigitalblog.com/?p=787 Keep Reading]]>

The big scary paradigm shift in technology, entertainment and advertising (don’t worry everything else is converging too) is akin to the implosion of the music industry. We spent years building up obstacles between the music and the fans and trying to ignore the fact that they were always in control. When the dust finally settles this time around, we’ll all be able to see clearly that, in the crowded world of content, we need to provide as clear a path as possible between your music and your fans. Great content is like music; it might be brilliant but without anyone around to hear it, nobody will ever get to experience the greatness. Episode 5 explains the Joe Digital special formula we like to follow:

High Quality Content + Strategic Distribution = Loyal Participants

Next week, in Episode 6, we’ll take a look at why it’s so important to craft an honest story when starting  the conversation with your audience.

Episode 5 features: Zach Jordan

As we saw in Episode 3, there are several ways to track audience data.  You can find out, on a very granular level, who they are, where they like to play, and other important metrics that are required to make great content and distribute it strategically across the web.  In Episode 4 we find out why it’s so important to utilize this data and help you create a loyal bond with your audience.  We’ll also look at why it’s imperative to come from an authentic place when creating interesting and relevant storylines for your content.  Remember: the consumer bullshit meter is very sensitive!

Episode 4 features: Jason Feinberg, Suzanne Diamond, Timothy Golden and Zach Jordan

The other weekend, though, I was compelled to at least loosen my grip on the status quo and take a deep bow in the direction of the tsunami that is heading our way. Here’s the scoop. I looked in on my two girls (12 and 10, respectively) when I heard blaring music shaking the foundation.

I opened the door (without knocking because, well, I can). There they were, TV on full blast, watching some show where the latest quasi-pubescent heartthrob, Justin Beaver (I know his name is Bieber, but I do that just to mess with them), was guest starring. Each had their laptop (spoiled like you can’t imagine) on YouTube watching this kid “sing” really deep and meaningful songs. They also had him on their iTouches (is that the plural, or iTouchae?). One was on the phone talking to her friend, who was apparently watching / listening to the same Bieberpalooza and the other was texting about the same. In short, it was a platform agnostic, social networking, wireless, audio / visual, crowd sourced, simulcast of all things Beaver (again, just to make my kids nuts). The only thing missing was this kid live, in my house, rocking out (generous on my part) to my screaming girls and their digitally connected fan club. Of course, that came several days later when they saw him live (and, as we all know, Bieber live is like seeing The Boss live in the late 1970s—only the four hour set replaced by 3 four minute songs, primarily about school and gum). Told you they were spoiled.  By the way, while engrossed in their little BieberFest, they never even noticed I was there.  I hate Justin Bieber.

I think this is what Zach calls “living digital”.

The next day, I was telling this story to a bunch of folks at a charity event. A crowd gathered. I’d like to say that this occurred because I am a devastatingly handsome, social vortex creating, brilliant raconteur. Turns out, they all had their own recent digital life epiphanies. One 27 year old woman said her 22 year old brother thinks she is a digital dinosaur (by the way, this gal knows her stuff).

A youngish grandfather told me how his son’s 6 year old borrowed his Blackberry and asked Granddad how to make an exclamation point. Granddad’s direction to “look for the button with the black dot on the lower left side” was met with (six year old mind you) “Granddad, why didn’t you just say that I should use the ALT key?” Finally, when another youngish grandmother (do I kiss ass well or what?), told me that she saw her 2-year-old grand child “thumbing” a toy block as if it were a mobile phone while playing, the light bulb went off. If my girls and babies are doing all of this now, one can only imagine what is ahead.

Yes, Zach, you are correct. You win. The wave is a comin’, what we think is the future now will encounter obsolescence in moments, and thank the stars that we don’t “only make big splashy network TV shows anymore”. Tech will change story, story will change tech, our willingness to adopt the new will spread endlessly like the universe and alter, impact and dictate all of the above.

That said, a month or so from now when I can have things simply beamed into my head, thereby reducing my mind’s eye to a vestigial, outsourced, hunk of my gray matter, I think I am still going to want to go to the movies. Now if only everyone would stop with the damned cell phones glowing, ruining the moment and distracting me from the Academy Award winning acting dynamo known as Megan Fox.

Crackberry photo: nkpix

In Episode 2, we briefly discuss the various social media tools and technologies available and the importance of customizing every strategy depending on your audience. Episode 3 gives a few specific ways you can find out (1) who your audience is, (2) what factors you need to consider when developing content and (3) the various ways to track and report on your audience.  Once you get to know your audience, take a look at Episode 4 to get a sense of why it’s so important to use this data to create relevant and authentic messaging.

Episode 3 features: Jason Feinberg, Suzanne Diamond, Timothy Golden, and Zach Jordan

In Episode 1, we introduce the current state of media, advertising, entertainment and music and discuss what approach brands and content creators are taking to engage people in the volatile, digital landscape. This week we take a closer look at some of the tools marketers have at their disposal and why it’s so crucial to build a customized approach for your audience.  Your mission, should you choose to accept, is to find out as much about your audience as possible (seriously, a scary amount of information)…watch Episode 3 to find out what I’m talking about.

Episode 2 features: Suzanne Diamond, Jason Feinberg and Zach Jordan

Photo by: kmevans

In short, one could argue that ALL consumers are becoming Simplifiers looking for value, experience, and a participatory relationship with brands.  All we have to do is embrace the equation and do the math.

Peter J. Schankowitz

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So, arguably, these guys are the collective Jefferson and Lincoln of UGC  video for both their declaration that content and distribution would no longer be in the hands of the few and for their technological proclamation that delivered on the promise and set the online video space free. Two giant sculpted faces down and two to go (the three of them will just have to learn to share).

But long before the launch of YouTube, the first large-scale UGC video success story had already been alive and kicking for over 15 years.  It was 1989, when a then little-known television producer had a notion, a bit of technology and an understanding of the inherent human desire for self-expression and more than occasional idiocy.  Meet the George Washington of UGC, the creator of “America’s Funniest Videos”, Vin Di Bona.  (Note:  I worked with Vin as his President of Worldwide Development for almost five years.  However, that doesn’t make any of the following any less true.)

In 1989, Vin was already quietly making pioneering efforts in the television format business.  While it is common place today to have prime-time filled with Americanized versions of foreign television hits like Idol, over two decades ago, Vin was busy establishing the first significant ties between Hollywood and overseas producers and broadcasters.  He was one of the first producers to import a foreign format for American television. On one of his many trips abroad, a bit of “technology” gave him a notion.  He noticed that the Japanese were rabidly into the newly developed home video camera and knew that the wave would be coming to the States.  A few glimpses into what people were capturing on video later, and the rest is history. For every somber wedding vow captured on tape, there were many more brides passing out and grooms calling their betrothed by a different name.

The show launched in 1989 and soon Vin and his production company were receiving thousands of user generated video submissions per week. And so, a franchise was born.  The show is still running on ABC, 20 years later—the longest running entertainment program in ABC history.  It has been sold to countries all over the globe and has single-handedly created a universal fear among men, any time a kid, a baseball bat and an exposed crotch are anywhere in sight.  Think about it.  An entire television juggernaut based completely on submitted content. So Vin gets carved in stone on the far left of the UGC Video Mount Rushmore in the GW slot—the Father of UGC, long before the acronym existed.

So who gets the last spot?  Who will be the Roosevelt of UGC? He spoke softly, carried a big stick and moved the US into an expansionist adventure. The analogous next phase in UGC will be finding editorial, commercial usage and creative indexing solutions for the morass of material floating about.  Whoever can harness the raw power of UGC, expand its influence in branding, entertainment, building community, and expanding the inalienable right to free expression will get my vote.   Now get to it.

Peter J. Schankowitz