Video produced by Time To Get Social

How excited were you when you saw Episode 8 and learned about the different types of audience?  We know; Earth shattering.  Keep it together because this week we’re going to astound you yet again with information you haven’t already heard a million times.  All this talk of social media this and new media that is a good thing for your business, but it’s not the only way to reach, entertain, and retain the modern audience.

In Episode 9 we’ll take a look at why it’s so important to embrace all forms of media in an effort to connect with everyone.  We especially  want to reach out and touch those who may be thinking of crossing over to the new paradigm, but haven’t yet taken the plunge.  Although you really should consider this bandwagon because it’s fun here.  Besides, we know you’re always looking for new ways to dissuade cognitive dissonance.  Holla!

Episode 9 features: Beth Diamond, Timothy Golden, Jason Feinberg, and Zach Jordan

Photo by: Travis Jensen

In our last episode, we learned that the power of a loyal audience today is due to quality not quantity.  This week we explain the three main types of audience and how the new, “lean forward” audience engages with content across multiple platforms.  How does one engage people when they are consuming across all platforms, including live events?   Ultimately, the best way to “defrag” any audience today is to weave a compelling story that relies on traditional storytelling maxims AND speaks with a unified voice utilizing only the appropriate platforms that apply to your story.

Episode 8 features: Suzanne Diamond, Timothy Golden, and Zach Jordan

photo by: TourettesWithoutRegrets

The old rules of messaging and traditional media dictate that you want to try to reach as many people as possible.  Today, with the ability to hyper target your message or story, the barrage of so much content, and peoples’ short attention spans, it’s about quality and your own definition of ROI.  We learned about the importance of an authentic message in Episode 6 and this week we find out why your billions and trillions of Twitter followers, Facebook/MySpace friends don’t mean anything…unless you’re just an odd collector of people and that’s so 2009.

Episode 7 features: Jason Feinberg and Zach Jordan

In Episode 5 we find out why it’s so important to have all the elements of the conversation in place in order to encourage audience participation and build a loyal following.  This week we take a closer look at crafting an authentic message.  You don’t always have to be good, but you do have to be interesting and there’s usually nothing more interesting than a little authenticity in your story.  In this week’s episode, we tell you why an authentic message is so critical during this paradigm shift and beyond.

Episode 6 features: Suzanne Diamond and Zach Jordan

]]> http://www.joedigitalblog.com/targeted-distribution/episode-6-social-media-hold-the-bs/feed 1 http://www.joedigitalblog.com/targeted-distribution/episode-5-the-conversation-equation http://www.joedigitalblog.com/targeted-distribution/episode-5-the-conversation-equation#comments Wed, 09 Dec 2009 17:18:59 +0000 Zach Jordan http://www.joedigitalblog.com/?p=787 Keep Reading]]>

The big scary paradigm shift in technology, entertainment and advertising (don’t worry everything else is converging too) is akin to the implosion of the music industry. We spent years building up obstacles between the music and the fans and trying to ignore the fact that they were always in control. When the dust finally settles this time around, we’ll all be able to see clearly that, in the crowded world of content, we need to provide as clear a path as possible between your music and your fans. Great content is like music; it might be brilliant but without anyone around to hear it, nobody will ever get to experience the greatness. Episode 5 explains the Joe Digital special formula we like to follow:

High Quality Content + Strategic Distribution = Loyal Participants

Next week, in Episode 6, we’ll take a look at why it’s so important to craft an honest story when starting  the conversation with your audience.

Episode 5 features: Zach Jordan

Technology: A Driving Force Behind Transmedia

In Part I of our series, we took a brief look at the basic elements of how Transmedia is growing in popularity around the world.  Entertainment and branding are evolving and technology is helping to usher us into this new paradigm faster every day.  For the first time in history, technology is allowing us to enjoy a seamless entertainment experience. We can start watching a TV show or video online at work, pause it; come home and finish watching it on our TV, exactly where we left off. This will soon be true of all content whether it’s books, music or games. Online games, and video games in general, have in many ways given birth to Transmedia storytelling.  Video games are finally getting the recognition they deserve when it comes to: (1) delivering a compelling narrative, (2) community building and (3) great educational value.

Gaming, and Internet use in general, is a hugely social experience and is proving to be a very successful way for people to engage with one another in a global and localized environment. Gaming, once perceived as an isolated activity, is really about bonding and community. Now that we know this and can scale this opportunity to Transmedia storytelling, we can use this as the basis for creating brand stories and entertainment properties that invite people to share information,  work more efficiently together on large projects, and ultimately retain more knowledge about a specific topic. Games have also taught us that audiences are not stupid. Left unchallenged or not specifically invited to engage with a compelling narrative on a personal level, they will move on.  Regardless of the challenges presented or the scope of the story within the context of the digital experience, people will gravitate toward live events and a visceral experience to supplement the time we spend online.

Live Events, Music and Transmedia

Live events, whether a component of brand messaging or an entertainment property, will resonate more in the coming years and in very interesting ways. As we continue to spend so much time telecommuting and engaging each other in the virtual world, we will demand engagement in the real world, perhaps more than we ever have. The live event platform of Transmedia storytelling is intrinsic to our nature and, coupled with technology, can make for a powerful universal experience and create deeper levels of audience engagement. Music has been doing this for years through concerts and other cross platform events that invite community and cross-pollination of stories and ideas.

For example, Hip Hop and digital storytelling have always been inextricably linked with one another because both have (1) always thrived on community and participation and (2) Hip Hop culture has always used digital technology to share its story with the world. An excellent example of this can be seen in the documentary “This Is The Life” that chronicles the Good Life emcees in the early 90′s in South Central LA. Mix tapes and live events were major entry points into their narrative and helped spawn some of the major artists of today. Live events can be used in a variety of creative ways and intermingled with a variety of artistic disciplines. Take for instance the Pet Shop Boys Parisian concert in 2008 (how’s that for a reference) featuring a symphony playing their music as the Russian film “Battleship Potemkin” plays on a screen behind them in Trafalgar Square.

Improv everywhere and flashmobs are also part of the live, multi platform storytelling approach that is used to engage people in a live setting. These largely brand neutral events take a simple idea, build a story around it and deliver the narrative in a live, interactive setting where people can become engaged beyond the confines of a screen or hand-held device. They also invite co-creation through video and social networking and can provide brands with additional distribution channels, that wouldn’t exist in the virtual world.

This is all very exciting, but not without its challenges. Despite the power of the born digital crowd and access to cross platform technology, there are a few hurdles that prevent Transmedia storytelling from going mainstream…yet.   In Part III of this series, we’ll take a look at some of the hurdles brands face, as far as implementing Transmedia elements into their campaigns , as well as examine some specific opportunities for brands to increase audience engagement.  We’ll also take a stab at predicting how this new paradigm will affect branding, entertainment , and our global education system in the coming years.

Photo by: sarahshaneelizabeth

Distribution takes on many new and exciting forms in the world of 360 storytelling and needs to be strategically mapped, based on the specific needs of your story.  The bad news is, audiences will continue to fragment across an increasing number of platforms.  The good news is, the audience may be one of the best forms of distribution for your story through social networking and video sharing.  This factor becomes even more interesting, considering that 1/3 of all online videos get shared.

Traditional platforms like TV won’t disappear or lose out to online and mobile, but we’ll get to a point very soon when all these platforms hold an equal footing.  The distribution efforts of loyal fans and participants will become even more apparent in this transition.  Distribution channels in the 360 story environment may include:

1. TV
2. Online video portals
3. Social networks
4. Widgets
5. Interactive games
6. Out of home networks
7. Mobile applications

The many forms of distribution in the 360 story environment help you reach, entertain and retain the short attention span audience members who are pulled in every direction by the morass of content.  However, it’s important to note that one web widget does not a distribution strategy make.  You can have all the democratized access to free video portals and inexpensive technology in the world, but without 1) a well structured story customized for the 360 environment and 2) a complete understanding of how your story is executed within the context of these distribution platforms, these tools can prove useless and may even alienate some of your audience or clients if not utilized sparingly.  Let’s review:

1.  Your story is well crafted

2.  You’ve identified your audience

3.  You know how to communicate with them

4.  You know where your audience is watching

Now it’s time to engage and reap the rewards.  Remember: it always comes down to the emotional connection you are trying to build with your audience and doing so in an authentic way.   Because the tools in the 360 storytelling environment amplify messaging and allow your audience to co-create and control their experiences with the tools you give them, people become empowered and more willing to become distributors themselves.  There is no doubt we are all experiencing a new frontier in which the 360 storytelling experience will make for a truly platform agnostic experience where viewers will engage with entertaining content in ways beyond our wildest imaginations.

Photo by: EllynKocher

In an effort to craft a brand idea or story custom made for the rabid audience, start focusing on the fans.  There are a variety of free platforms to test your ideas, story, and characters and get immediate feedback from the plethora of passion centers that already exist online.   Popular shows like AMC’s Mad Men make Twitter an ancillary component of the show on TV, where rabid fans take a deeper look into the lives of Betty and Don Draper.

You can leverage the use of social networks like Facebook and Twitter to see what related topics people are already talking about and get immediate feedback on your story idea or characters.  Armed with this knowledge, you have a very solid understanding of how to craft an appropriate distribution strategy because you know 1) where your audience is viewing related content and 2) how this content is positioned within these platforms.  As you start mapping out potential distribution channels for your messaging, you can also use these social networks as tools to help maximize audience engagement, while minimizing potential spend on distribution that might not be appropriate for your concept or audience.  Tomorrow we’ll look at the different types of DISTRIBUTION channels available and how to construct the best strategy for your story.

Photo by: Amstel

]]> http://www.joedigitalblog.com/targeted-distribution/the-new-360-storytelling-experience-focus-groups/feed 2 http://www.joedigitalblog.com/targeted-distribution/the-new-360-storytelling-experience-audience http://www.joedigitalblog.com/targeted-distribution/the-new-360-storytelling-experience-audience#comments Tue, 08 Sep 2009 07:15:08 +0000 Zach Jordan http://www.joedigitalblog.com/?p=472 Keep Reading]]>

Your audience has always been in control of your messaging, but now they are equipped with the digital tools to demand everything be completely on their terms.  Understanding your audience, the way they speak, the terms they use and places they like to interact with each other is as important as a solid story structure.  Two key factors to remember about audience in the 360 story environment: (1) Every audience is different and (2) Audiences will continue to fragment across multiple platforms.  Here are three main types of audience today:

1. Passive, lean back audience

2. Engaged, audience

3. Active, lean forward audience

The traditional TV viewer is considered part of the passive “lean back” audience, as they enjoy a great idea or story, but don’t feel compelled to participate past the emotional involvement of the story.  The engaged audience will be watching and following along on a related website or checking Twitter and Facebook for related conversations.  The active “lean forward” audience (think LOST) is hungry for the opportunity to co-create your story.  They are participating with other fans, uploading content and providing your story with additional distribution.  In the 360 story environment it’s about audience loyalty. If you don’t supply your rabid fans with interactive tools like widgets, websites, mobile applications, and games, they will look elsewhere.  One of the great opportunities, with respect to the lean forward audience, is the ability to test different 360 storytelling elements to see what resonates with the fans.  Tomorrow we’ll look at the 360 FOCUS GROUP and how you can harness the power of your fans and deliver exactly what they need and want.